
Rachel Towle
Rachel has received a (BA) History Degree from the University of Greenwich. She is an aspiring young writer and poet. Her poetry has evolved throughout time as well as her themes and writing techniques. Rachel’s inspiration mainly derives from her personal experiences and her work constitutes a dynamic narrative of feelings and images.

What volumes this understatement has been
And how often, I can remember, that it is not
Real. The supper is a hunted smile that accommodates all rotten meats
Until the tongue is a sensitivity of whims
Unfurling and churning bursting into performance
The iron oven is winter
My legs display themselves
Outwards
Outwards!
And watch a ball of iron screams
Become a symmetry – my failings
(I can never command you,
You and your hovering staircase)
A damage – the weightless gold – not daring
A dent, the kink in your root
My clocks unfold ~ bending ~ an imitation ~ of waste and regret
Into a ravenous after thought
Teething at the limbs.
How I think I would be lying if I said:
‘Your eyes are the bluest, I had ever seen’…
28/02/2011
Untitled
The decay of (our) slices curdle ~
Hurdled in their stifle of mangled human stamps, pressed against a motion in disguise as affection
Launching your caterpillar stare, I direct my legs towards deception: I understand how electronically we work these days
Lunging into performance whilst obscured from actual display
My roof scrapes heavy as a dangled jaw, violently entering the damask of summer romances buttery stale expectations into the disappointment of mortality
I’m not another girl that moves like London, bending my giggles into fashionable nests knitted by corporations.
I’m not another girl that creeps into the frozen pool of loves forgery, binding my cries to Saturday night.
Upon windowsill lit entirely by darkness the steps slither into something steeper than hopes rotten child
Above the pavements attached as swings to the city, where the shoes of dead feet pound up the deafening days, until hours are reduced to the sludge of a loneliness that neither hangs openly as despair nor marks the error of modern politics
Hammers glide into my fingers, draping at my imagination as though lead by spears to ink out the rage that tightens my stomach into crumpled papers in foreign offices.
What I long for doesn’t glisten...
Rachel's poetry is characterized by a natural flow of words that communicate intense sentiments and emotions. There is a sort of liberty of text that poetry allows to describe insubstantial thoughts beyond the borders of the appropriate. In her first poem 28/02/2011 the intensity of the words is depicted in the way each word streams into the other in an expression of remorse and repulse. The imagery she uses adds to this effect of disgust or the nauseous , in contradiction to the beautiful portrayal of lies in the last two stanzas. The next poem is untitled and it also explores a language of beautiful descriptions of the revolting and of the dreadful reality. A character lost in the city, is trying to find herself in the difference and the genuine. Arguably, the city represents life and the poem explores the loneliness that materiality accommodates.